Atc scm11 black driver#
Their frequency response is 56Hz-22kHz (-6dB) and is pretty impressive for a stand-mounter with only a 6″ (150mm) mid/LF driver and doesn’t have a bass port to support the low-end delivery. That said, the ATC SCM11 can reach quite deep into the bass extension which belies their size and cabinet design. The drawback of a sealed design speaker will be the lower and less pronounced bass reproduction when compared to ported speakers. There are no bass ports as the ATC SCM11 uses a sealed box design and is great for listeners who have limited space as you would be able to place them closer to walls. This newer look does make it easier to fit them right into modern home interiors and listening rooms. There are changes been made to the visual aspects of the ATC SCM11 as well, it now looks more modern and has curves which not only make it look good but also help to reduce internal resonance. Sonic Characteristics and Merits of ATC SCM11
So the ATC's cabinet is about 10% larger. The Aerial 5B measures 13" high by 7.9" wide by 10.8" deep, displaces 1109 in 3, and weighs 22 lbs. The ATC SCM 11's cabinet measures 15" high by 8.3" wide by 9.8" deep, displaces 1220 in3, and weighs 17.6 lbs. A recess in the rear panel holds two pairs of sturdy, knurled, non≮C-compliant binding posts of brass, with brass jumpers installed for single-wiring.ĪTC's SCM 11 and Aerial Acoustics' 5B (which I wrote about in June) are variations on the same themesealed-box, stand-mounted two-ways costing about $2000/pairso it seemed reasonable to compare them. Black fabric grilles on MDF frames attach to the speaker with plastic pins, but I didn't use them. The baffle is made of some sort of composite, and finished in a soft piano-black semigloss.
Atc scm11 black drivers#
Although the cabinets of the review pair I received were veneered in cherrywood (with exceptional matching across the pair), the drivers are inset in a baffle board that sits proud of the cabinet face and covers all but its bottom few inches (which are veneered). The SCM 11 is a stand-mounted two-way design with a 1" soft-dome tweeter with a neodymium magnet structure and a waveguide of some proprietary alloy, and a 6" mid/woofer. Nonetheless, the SCM 11's CLD cone is claimed to reduce distortion between 300Hz and 3kHz by an unstated amount. Super Linear technology is claimed to reduce third-order harmonic distortion 10≡5dB between 100Hz and 3kHz, which makes me eager to hear it. The SCM 19 costs $3150/pair, which puts it outside the limits of this hunt for affordable systems (though it looks very tempting). The SCM 11 has Constrained Layer Damping (CLD) on its cone but doesn't share the Super Linear magnet technology found in the SCM 19, a superficially similar two-way with the same size woofer in a larger cabinet.
(ATC's larger designs are ported.)ĪTC's lineup of consumer speakers includes one model below the SCM 11, the SCM 7, which has a 5" mid/woofer and costs $1050/pair. I didn't realize until I removed the SCM 11 from its cloth bag that its bass loading is sealed-box had I known that, I would have requested them even earlier. I requested a pair of ATC's SCM 11 passive monitors because its price of $1750/pair in real cherry veneer (or $1850/pair in black ash) fit into my quest to find affordable systems in the $2500$3750 range. ATC loudspeakers are all still made in the UK, and were a favorite of the late J.
Atc scm11 black professional#
The venerable British company ATC Loudspeaker Technology was founded in 1974 by Billy Woodman, and is famous within the professional community for developing the first soft-dome midrange driver, and for their well-regarded line of active (powered) studio monitors, the user list of which is a veritable Who's Who of mastering engineers.
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